February 1–May 19, 2013

Camille Utterback: Tracing Time/Marking Movement

  • Artist Camille Utterback discusses her work in the exhibition.

  • Camille Utterback and Romy Achituv, Text Rain (installation view), 1999. Interactive installation. Courtesy of the artists

  • Camille Utterback , Untitled 5 (installation view), 2004. Interactive installation. Courtesy of the artist. 

  • Camille Utterback, Liquid Time Series – Tokyo (screen detail), 2001. Interactive installation. Courtesy of the artist

  • Camille Utterback. Fluid Studies (Nodules and River), 2013. Generative animation; custom glass, custom software, computer, flat screen display, and frame. Courtesy of the artist

  • Camille Utterback , Untitled 5 (installation view), 2004. Interactive installation. Courtesy of the artist. Photography by Tom Bamberger

  • Artist Camille Utterback presents a lecture on her work in Tracing Time/Marking Movement, on view at the Frist Center through May 19, 2013

MacArthur Foundation Fellow Camille Utterback is an internationally acclaimed artist whose interactive installations and reactive sculptures engage participants in a dynamic process of kinesthetic discovery and play. Her work explores the aesthetic and experiential possibilities of linking computational systems, through her own software programming, to human movement and gesture in layered and often humorous ways.

This exhibition presents four interactive digital installations, including the landmark work Text Rain (1999), created by Utterback in collaboration with the Israeli artist Romy Achituv. In this work, letters, words, and phrases from Evan Zimroth’s poem “Talk, You” cascade like discrete objects onto the projected image of a viewer/participant, to “rest” momentarily on heads, arms, and shoulders. This exhibition includes one of Utterback’s digital animations and a display of her recent public art projects that gives insight into her working process.

Utterback’s artworks' significance rests with their activation of basic human responses: the pleasure at the sheer gracefulness of the animated images, the gratification at being able to participate in their unfolding, and the intellectual stimulation that comes from integrating abstract language with physical movement to posit a new level of communication.

This exhibition was organized by the Frist Center for the Visual Arts and co-curated by Frist Center Chief Curator Mark Scala and Curator Trinita Kennedy.

Location: Gordon Contemporary Artists Project Gallery

 

MNAC

Supported in part by

TAC

Supported in part by

NEA Artworks

Supported in part by

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